Dattatreyan, E. Gabriel (Under contract). Globally Familiar: Digital Hip hop, Delhi, and Difference. Duke University Press.
Dattatreyan, E. Gabriel (2017). Small frame politics: Public performance in the digital age. In Media as Politics in South Asia, Sahana Udupa and Steve McDowell (eds.), pp. 57-73. London: Routledge.
Dattatreyan, E. Gabriel (Under review). Archiving Postcolonial Modernity: The foreign service family slide show. Writing with Light photo essay series, Cultural Anthropology & Visual Anthropology Review.
Dattatreyan E. Gabriel (2018). Critical hip hop cinema: Racial logics and ethnographic remixes in Delhi, India. Wide Screen. Special issue: Cinema and the Production of Space. Katy Hardy (Ed.)
Dattatreyan, E. Gabriel, Orrontia, Juan (2018). Photo essay: In the dark all cats are black—Africans in India. Comparative Studies of South Asia, Africa and The Middle East. Special issue: Southern Futures. Ravinder Kaur, (Ed.), pp. 13-20. Durham: Duke University Press.
Dattatreyan, E. Gabriel (2016). Waiting Subjects: Social media inspired self-portraits as gallery exhibition in Delhi, India. Visual Anthropology Review 31(2).
Singh, Jaspal, Dattatreyan E. Gabriel (2016) Cultural Interventions: Repositioning hip hop education in India. Linguistics and Education Vol. 36 pp. 55-64.
Dattatreyan, E. Gabriel (2015). Hard Kaur: Broadcasting the new Desi woman. Culture, Communication, and Critique Vol. 25.8.
Dattatreyan, E. Gabriel (2014). Diasporic sincerity: Tales of a returnee researcher. Identities: Global Studies in Culture and Power. Vol. 21 (2) pp. 152-167.